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Chapter 2 - The Crescent on the Neck

The cold carpet burned through the fabric of my trousers, but I didn't feel it.

“Mateo...” I choked out.

The name tasted like ash in my mouth—a word I hadn't permitted myself to speak aloud in three long years. To say his name was to invite the ghost back into the house, to unleash the crushing weight of the grief I had spent millions of dollars and oceans of blood trying to drown.

Dominic stepped forward, his hand instinctively hovering near his waist. “Boss, what are you doing? It’s just the maid’s kid—”

“Silence!” I roared.

The command tore from my throat with such raw, primal fury that even Dominic, a man who had stood beside me through three street wars, recoiled a full step. Lorenzo, still kneeling on the rug with blood dripping from his chin, stared at me as if I had suddenly lost my mind.

I didn't care about Lorenzo. I didn't care about the family. I didn't care if the entire city burned to the ground around us.

I reached out with trembling hands. My fingers—hands that had snapped necks, signed death warrants, and held automatic weapons—were shaking so violently I could barely keep them steady.

Leo didn't shrink away from my shadow. He didn't cry.

Instead, as my large, calloused hands slid gently beneath his small armpits, he let out a tiny, high-pitched giggle. He wrapped his small, warm, sticky fingers around my left index finger, gripping it with a strength that felt like an anchor anchoring me to the earth.

I lifted him off the carpet.

He was light—so light—yet his small body radiated a intense, living warmth that seeped straight through the fabric of my charcoal vest. I pulled him close, cradling the back of his tiny head against the crook of my neck, burying my face into the soft curve of his shoulder.

He smelled of baby powder, warm milk, and the faint, sweet scent of lavender soap.

It was the exact same smell.

My tears came without warning.

They didn't start as a quiet dampness in my eyes; they erupted from deep within my ribs—a violent, dry-heaving sob that racked my broad shoulders and made my entire frame shake against the floorboards. I buried my face deeper into the boy’s soft woolen onesie, my chest heaving as three years of unspeakable, suffocating agony poured out of me in front of my underboss and a condemned traitor.

I didn't care that Dominic was watching the ruthless Dante Moretti break apart like a house of glass. I didn't care that Lorenzo was witnessing the absolute dissolution of the man he feared above all others.

The boy let out another small, confused coo, his tiny hand reaching up to pat awkwardly at the wet hair at the back of my head.

“My boy,” I wept silently, my fingers gently cradling his tiny spine. “My little boy...”

Then, Leo squirmed in my grip.

Satisfied with the comfort of my shoulder, he shifted his little weight, turning his head to look curiously back toward the flickering light of the banker’s lamp on the desk.

As his head turned, his small ear folded forward slightly, exposing the tender skin behind his jawline, just beneath his left earlobe.

My breath stopped in my lungs.

My tears froze on my cheeks.

There, stamped onto his pale, soft skin, was a distinct, faint pink mark. It was roughly the size of a fingernail, perfectly curved into the shape of a thin, elegant crescent moon.

A birthmark.

Mateo had been born with that exact mark.

When he was two days old, sitting in the private maternity ward in Milan, I had held him under the surgical lights and traced that precise crescent with the tip of my pinky finger. Julianna had laughed, calling it the mark of the night—a sign that he was a true Moretti, born under the shadow of the moon.

A face could be a coincidence. Genetics was a strange, unpredictable lottery; occasionally, two unrelated human beings could share the same jawline, the same curls, the same shade of grey eyes. It was rare, but it was scientifically possible.

That birthmark was not a coincidence.

It was a signature. It was an unmistakable, unalterable physical stamp of my own bloodline.

The room around me seemed to tilt on its axis. The warm air turned instantly frigid, sending a shudder down my spine that had nothing to do with grief and everything to do with a cold, terrifying clarity.

Mateo hadn't died in that fire.

The closed casket I had wept over, the marble vault I had visited every year on the anniversary of his death, the crushing guilt that had turned me into a monster—it was all a lie. A manufactured, elaborate, perfectly executed illusion designed to make me believe my bloodline was extinct.

And the boy sitting in my arms wasn't a ghost. He was real. He was breathing. He was eight months old.

Eight months old.

My mind began to race backward, firing through dates, records, and timelines with the precision of a computer.

Mateo had been five years old three years ago. If he had survived, he would be eight now.

This child was an infant. An eight-month-old baby.

Which meant he wasn't Mateo.

He was Mateo’s brother. Or he was Mateo’s... clone? No.

He had the exact same face as Mateo when Mateo was an infant. The exact same birthmark in the exact same location.

I squeezed my eyes shut, my brain fighting against the paradox. How could an eight-month-old baby carry the identical physical traits, down to a genetic birthmark, of a child who was supposed to be eight years old today?

Unless...

Suddenly, every strange, quiet detail about Elena came rushing back to my consciousness like a tidal wave of cold ocean water.

She had arrived at the Moretti estate six months after Mateo’s funeral.

She had come through an agency in Florence—an agency that operated under a discreet corporate umbrella that I owned through three layers of shell companies, though she couldn't have known that. She had presented impeccably forged references, a quiet disposition, and a willingness to work long hours for low pay.

She had been quiet. Too quiet.

She never socialized with the other staff members. She took her meals in her small room on the third floor of the servants' wing. She never mentioned a husband, a boyfriend, or a family. There were no photographs on her nightstand, no personal items in her closet beyond three plain cotton dresses and a pair of worn leather shoes.

When she had discovered she was pregnant nine months ago, she hadn't panicked. She hadn't asked for time off. She had simply tied her aprons tighter, kept her head down, and continued cleaning my corridors with a silent, desperate devotion that I had mistaken for gratitude.

And when the baby was born eight months ago, she had named him Leo.

She had kept him hidden in the nursery on the top floor, bringing him down only during the early hours of the morning when she knew I was either asleep or in the city conducting business.

Why?

Why would a maid hide a child who carried the exact, undeniable genetic stamp of the Moretti bloodline?

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Before I could process the terrifying implications of the question, a sharp, ragged scream shattered the stillness of the hallway outside.

“LEO!”

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