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Chapter 10 - The Yellow Door

Six months later.

Spring had arrived in Manhattan. The cherry blossoms in Central Park were in full bloom, casting soft pink petals across the walking paths beneath a bright, sunny blue sky.

At the corner of 68th Street and Madison Avenue stood a magnificent three-story brownstone building.

The exterior had been completely renovated with white limestone, large glass display windows, and a magnificent, hand-carved front entrance door painted a brilliant, cheerful yellow.

Above the entrance, written in elegant brass lettering, was the name of the new architecture and interior design firm: CARTER & MORETTI DESIGN STUDIO.

Inside the bright, sunlit studio, six-year-old Lily was sitting at a child-sized drafting table, wearing a tiny white apron, carefully painting a wooden model of a miniature house with bright yellow paint.

I stood near the drafting counter, wearing a tailored cream suit, reviewing a set of floor plans for a major commercial project in Midtown Manhattan—the very first project funded by the newly consolidated Carter Holding Trust.

Footsteps echoed across the hardwood floor.

Dominic walked into the studio. He wore a sharp navy suit, but he had left his tie behind, his top shirt button unbuttoned, looking relaxed, happy, and entirely transformed from the hardened man I had met six months ago in the Moretti Plaza lobby.

He carried a small box of fresh Italian pastries from a bakery in Little Italy.

“Daddy Dominic!” Lily squealed happily, dropping her paintbrush and running across the room.

Dominic caught her effortlessly, lifting her high into the air as she giggled with pure joy, before placing her gently back down on her feet.

He walked over to me, wrapping his arm smoothly around my waist, pulling me close and pressing a soft, lingering kiss against my lips.

“How are the opening preparations coming?” Dominic asked softly, looking down into my eyes with deep, unshakeable affection.

“The first six client consultations are fully booked for next week,” I smiled, resting my hand against his broad chest. “The port division board officially ratified the new community development charter this morning.”

“My father would be proud of you, Anna,” Dominic said softly, gazing around the sun-drenched studio. “He always said your mother was the real brain behind the company’s expansion. It took us twenty years, but her name is finally where it belongs.”

I pulled out the old wooden shoebox—now completely emptied of its returned letters, cleaned, and lined with velvet. Inside sat the original framed photograph of my mother, Elena Carter, smiling beside a young Vincent Moretti outside their first small office in 1995.

Sitting right beside it was a new photograph taken last week: Dominic, Lily, and me standing together outside our new home in Long Island.

Lily ran over to us, holding up her finished wooden model house, complete with its tiny yellow door.

“Look, Mommy! Look, Dominic! It’s our house!” Lily cheered, holding it high into the sunlight.

Dominic knelt down beside her, taking the wooden model in his large hand, smiling with genuine warmth.

“It’s beautiful, Lily,” Dominic said gently. “And you know what the best part about a yellow door is?”

“What?” Lily asked, her hazel eyes bright with wonder.

“A yellow door means that everybody inside is always safe, always loved, and always home,” Dominic whispered, looking up at me.

May you like

I knelt down beside them, wrapping my arms around my daughter and the man who had brought us out of the shadows.

Outside, the city rushed by in its endless noise, but inside behind the yellow door, our family’s new story was just beginning.

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